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Canada

Welcome to Lisa's website, a gallery of art, writing, and thought. Lisa is a visual artist, writer, and educator who lives and works in Toronto, Ontario, Canada.

3-D work

Untitled, 1993. Acrylic on clay. Photo by Joan Walter.

Untitled, 1993. Acrylic on clay. Photo by Joan Walter.

If we do meet again, why then we shall smile; 2019. Stoneware, washes, stone.

If we do meet again, why then we shall smile; 2019. Stoneware, washes, stone.

If we do meet again, why then we shall smile (detail), 2019. Stoneware, washes, stone.

If we do meet again, why then we shall smile (detail), 2019. Stoneware, washes, stone.

If we do meet again, why then we shall smile (detail), 2019. Stoneware, washes, stone.

If we do meet again, why then we shall smile (detail), 2019. Stoneware, washes, stone.

If we do meet again, why then we shall smile (detail), 2019. Stoneware, washes, stone.

If we do meet again, why then we shall smile (detail), 2019. Stoneware, washes, stone.

The habits of white men (gallows; detail), 2017. Stoneware, stain, lustre, twine.

The habits of white men (gallows; detail), 2017. Stoneware, stain, lustre, twine.

Part of a study for a larger proposed work exploring the intentions of the Government of Canda toward Indigenous numbered treaty signatories.

The habits of white men (sow; detail), stoneware, stain, lustre.

The habits of white men (sow; detail), stoneware, stain, lustre.

Part of a study for a larger proposed work exploring the intentions of the Government of Canda toward Indigenous numbered treaty signatories.

The habits of white men (sow; detail), 2017.

The habits of white men (sow; detail), 2017.

Part of a study for a larger proposed work exploring the intentions of the Government of Canda toward Indigenous numbered treaty signatories.

The habits of white men (artillery, detail); 2017.

The habits of white men (artillery, detail); 2017.

Part of a study for a larger proposed work exploring the intentions of the Government of Canda toward Indigenous numbered treaty signatories.

The habits of white men (artillery, detail); 2017.

The habits of white men (artillery, detail); 2017.

Part of a study for a larger proposed work exploring the intentions of the Government of Canda toward Indigenous numbered treaty signatories.

The habits of white men (box stove; detail); 2017. Stoneware, glaze.

The habits of white men (box stove; detail); 2017. Stoneware, glaze.

Part of a study for a larger proposed work exploring the intentions of the Government of Canda toward Indigenous numbered treaty signatories.

It is a knell that beckons thee to Heaven; . Wood door, oil pastel.

It is a knell that beckons thee to Heaven; . Wood door, oil pastel.

It is a knell that beckons thee to Heaven, 2011. Wood door, oil pastel.

It is a knell that beckons thee to Heaven, 2011. Wood door, oil pastel.

As part of “Comfort” at The Propeller Centre for Visual Art in 2011.

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Untitled, 1993. Acrylic on clay. Photo by Joan Walter.

If we do meet again, why then we shall smile; 2019. Stoneware, washes, stone.

If we do meet again, why then we shall smile (detail), 2019. Stoneware, washes, stone.

If we do meet again, why then we shall smile (detail), 2019. Stoneware, washes, stone.

If we do meet again, why then we shall smile (detail), 2019. Stoneware, washes, stone.

The habits of white men (gallows; detail), 2017. Stoneware, stain, lustre, twine.

The habits of white men (sow; detail), stoneware, stain, lustre.

The habits of white men (sow; detail), 2017.

The habits of white men (artillery, detail); 2017.

The habits of white men (artillery, detail); 2017.

The habits of white men (box stove; detail); 2017. Stoneware, glaze.

It is a knell that beckons thee to Heaven; . Wood door, oil pastel.

It is a knell that beckons thee to Heaven, 2011. Wood door, oil pastel.

3-D work